LIVE! 2017 Biennale

EVANESCING THIS HARROWED STRATA 

Small_LIVE2017_Tanya Doody & Jackson 2Bears_171005_Rennie Brown_--25 Tanya Doody and Jackson 2Bears

Thursday, October 5 @ VIVO Media Arts Centre, Vancouver, BC, CANADA

Evanescing This Harrowed Strata is a collaborative multimedia performance piece by multidisciplinary artist Tanya Doody and Kanien’kehaka (Mohawk) multimedia artist Jackson 2Bears. With this artwork we begin to talk about stories written on the land, and the conflicted histories layered on the earth in this territory; we endeavour to immerse ourselves in troubled narratives, and we want to explore strange and complicated encounters and perform alternative vocalizations.

In this performance we feature projections and live-feed video, and use both live and pre-recorded sound. We activate a bed of clay ‘strata’ with contact microphones; we use a digitally-enabled hand-drum and purpose-built ceramic objects with digital FX to dig with, to scream into, to crawl upon. A small tree weighed down with a ceramic ball and chain is unearthed and dragged, a ceramic shoe pulverizes all that lies beneath.

Photo credit: Rennie Brown and Ash Tanasiychuk

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Evanescing This Harrowed Strata

Evanescing This Harrowed Strata

Jackson 2bears and Tanya Doody

July 15, 2017

Globe Cinema, Calgary, Alberta, Canada

20 minutes

 Evanescing This Harrowed Strata is a new collaborative multimedia performance piece made in response to the invitation to participate in “WILD: Fabricating a Frontier” — an event organized by Contemporary Calgary, CUFF and M:ST during Stampede week in Calgary.

We used multiple projections with both live and recorded video; live and prerecorded sound; a bed of clay ‘strata’ and contact microphones; digitally-enabled hand-drum and ceramic objects with guitar effect pedals; a cedar tree tied to a ceramic ball and chain. A deer head, a ceramic mask, a ceramic shoe, and lots of soil — all of which were activated with gesture and sound. Tanya was dressed as a woman of the frontier and Jackson was dressed in a traditional ribbon shirt.

We wanted to talk about stories written on the land, and the troubled histories layered on the earth in this and other territories. We wanted to immerse ourselves in troubled narratives, and to explore strange and complicated encounters and to perform alternative vocalizations.04_EHS03_EHS05_EHS Jackson 2bears and Tanya Doody performing Evanescing This Harrowed Strata, 2017.

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Performance Lab: Lethbridge

SAAG – Southern Alberta Art Gallery

Collaboration: Maria Hupfield, Tanya Doody, Mandy Espezel, Cindy Baker

Performance: 26 minutes

Clear_the_AirAction: Clear the Air

Performance Lab: Lethbridge
June 23 | 5 PM
FREE

Maria Hupfield will invite three Lethbridge artists, Cindy Baker, Tanya Doody, and Mandy Espezel to join her in a public platform for collaborative engagement and art-performance. Throughout the day, the artists will present new ideas and develop the project within the exhibition, The One Who Keeps on Giving. Their public performance will take place during the exhibition’s opening reception at 5 PM on Friday, June 23. Characteristic of Hupfield’s live interdisciplinary performances, she aims to craft a visually rich and multi-sensory atmosphere for an active exchange of ideas across cultures, disciplines, and borders. Performance Lab was informed by collaborative approaches to sustaining trust and support in the Brooklyn Performance Art community, one which Hupfield has contributed to for the past 7 years. This performance series was originally developed as a three day project in Montréal at Galerie Hugues Charbonneau, 2013.

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Action for Lethbridge

01TD2016Action_for_Lethbridge

Action for Lethbridge. Photo: Janice Wardle

02TD2016Action_for_Lethbridge

Action for Lethbridge, installation view. Photo: Tanya Doody

03TD2016Action_for_Lethbridge

Installation view, upward winding snakes, parietal art. Photo: Tanya Doody

Action for Lethbridge. February 06, 2016, 22 min.

Dr. Foster James Penny Building Gallery

Lethbridge, Alberta, Canada

This action grew out of a desire to reconcile feelings of unsettledness and to create a recuperative position in relation to change and the unknown. In this action I employed a local red clay as a transformative material…first as a sculptural medium, and as it dried and peeled off the wall, a mark-making or drawing medium. The trace left by the crumbling dry clay and fallen fragments were left as a 2-week long installation (Feb 6-26), as part of the group show For the Time Being.

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Open Action. October 03/2015. Central Middle School. Victoria BC.

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October 26, 2015 · 4:03 pm

Open Action. Royal BC Museum Courtyard. April 26, 2015.

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Source: Open Action. Royal BC Museum Courtyard. April 26, 2015.

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Open Action. Royal BC Museum Courtyard. April 26, 2015.

Open Action. Doug Jarvis, John G. Boehme, Judith Price, B P, River Doody-Leween.

Open Action. Doug Jarvis, John G. Boehme, Judith Price, B P, River Doody-Leween.

Grace Salez

Grace Salez

Judith Price

Judith Price

Tanya Doody

Tanya Doody

Doug Jarvis

Doug Jarvis

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